Marriage

Tom Blood

I was born in Cedar Rapids Iowa. My early years were lived in the feilds, with bugs, snakes, toads and in the winter I would read. In school, I was difficult and had my desk next to the teachers and most years my parents would come to argue the teachers that I should be allowed to move to the next grade. In 10th grade I was moved from the remedial track and in 11th grade I was allowed to attend Macalester College and the University of Minnesota. My folks were too broke to send me to college so I washed dishes and then started hanging out at cafes talking radical politics. Davis Hooker, (a john henry memorial, . . worms) and Soren Sorensen (currently running for the Senate in Minnesota) and I rode freight trains and hitch-hiked down the river to Lawrence Kansas on a desperate attempt to reach the ocean. My first public events were as an anarchist. In 1991 I participated in the Armory takeover. We occupied and squatted an abandoned National Gaurd Armory that was going to be converted into a prison and for a beautiful summer, made it a homeless shelter. In the day I worked with the drainage committee, trying to dry the Minneapolis Laker's first court, a beautiful parkay floor we planned to use for homeless peoples leaugues games. At night, I dumpstered food and bedding for the guests. We were raided and evicted and now the Armory is an indoor parking lot. I left Minnesota again on freight trains, to Helena Montana, had some trouble with the law and passed three years of probation in St. Paul Minnesota. When I was free, I came to Portland and lived in Laurelhurst Park. I had made an embarrisingly emo and raw book called dot or the green dot book that had a small furry green dot on the cover as the title. At a poetry open mike at Cafe Lena I met Curtis Knapp, Toby Kreidler and Terry Chiasano who asked me to make poems for their journal Rococo Anerca. I then travelled to San Fransisco and was homeless in Berkeley and fed the pigeons at People's Park. I returned to Portland and stayed in the Student Union and in a parked car at Reed College. That year I finished second in a contest to be on the Portland Poetry Slam Team. I was crushed, Curtis was there, we didn't know what to say to each other. After working as a short order cook I got a room in a punk house and then travelled to Philadelphia in love. It is there, in 1997 I began jamming with rob walmart. We made and did not release a tape called sedition. I also worked on if ever then always with Curtis and Micheal Knapp. Rob walmart collected most everything he had made into an album called made in Canada or R O B. I returned to Portland and wrote a chapbook, dot dot. Soon to be re-issued by Marriage with an accompanying cd of it read. In 2006 I toured the country with Adrian Orange of Thanksgiving, reading poems. Rob released the cds kamchatca, boats and pears and In 2007 and then again in 2008 I toured the West Coast with rob walmart, as the vocalist. Rob released the cds contains the hit, live near kboo and tire iron. In 2005, I began collecting the poems that were to become the sky position. That manuscript won the 2007 William Stafford/Donald Hall Oregon Book Award for Poetry. If Ever Then Always, a book of romantic poems, co-written with Curtis Knapp from 1997-1999 is now also available here. I am currently collecting poems for the raccoon and a chapbook of experimental poetry called dot dot dot.


Tracks from the cdr accompanying the sky postion:
here we live in the sky listen
the meaningless listen
there is a pigeon too old to fly listen

Tom Blood can be contacted at bloodtom@gmail.com

Press:

the sky position: 71 poems in limited paperback first edition with errata slip, including cdr of the author reading the book. Recipient of the 2007 Oregon Book Award for Poetry.


Click for one-sheet.

Praise for Blood's the sky position:
"In his author’s note, Tom Blood avers that these remarkable poems “were written while staring out a window.” Clearly, if ever there was a magic casement, it is Blood’s. Here, perception becomes a beautiful act of absolute sympathy and attention a continuous evidence of perfect compassion. Never once does Blood diminish or deform his subjects. Rather, he puts his syntax and his self entirely at the service of their well-beloved motion. These are poems for the world, in all its wildness, in all its nearness."
-Donald Revell

"The most provocative and surreal poetry that I have ever heard. These poems are powerful in that they assume no authority, they assume no power over life, they are simply Tom's way of saying, 'I am watching, and watching closely.' This is true poetry."
-Michael Franklin

"Blood's poetry is extremely abstract and at one point illustrates an eternal line of hippies marching over the bodies of poets."
-Eutaline Schmittel

"Tom Blood's the sky position, a loose and rambling piece, is the delightful rumination of an enchanted wanderer."
-art-dish.com